Home Project Methods and Results

Project Methods and Results

Methods:
Subjects:
Our subjects were 85 students from grades 2-6 at the Museum School, San Diego, California. All of them had previous experience playing gamelan as one of their curriculum classes, with Alexander Khalil, a researcher in this study, as their teacher.

Subjects were scored along three different dimensions:

1. Synchrony
We measured how well each student could synchronize with a driving beat in a group setting.

Setting
With the exception of the presence of recording hardware and the fact that they were separated into smaller groups (8-12 as opposed to 20-25), the setting was very much like that of an ordinary class.

Each instrument was rigged with piezoelectric sensors in such a way that its audio signal was completely isolated, allowing for very accurate recording and measurement of sound onsets (aka “attacks”), which correspond to subjects striking the keys.

The data reported here corresponds to a condition in which our researcher repeatedly plays a single note at a rate of approximately 0.8 Hz. The subjects were instructed to synchronize with this beat. Each of these episodes is 1 minute long and they are repeated 4 times, interleaved with other activities across a 30 minute recording session.

Analysis of Synchrony
In order to measure synchrony we applied the following procedure. Taking our researcher’s playing record as a reference, we calculated the onsets, filtered the data around the frequency of the beat, and calculated the phase as a function of time, a phase of 0 corresponding to each time he hit his instrument, and a phase of pi corresponding to the off-beat.

Once this was established we calculated the phase of each of the beats of our subjects. In order to parameterize how well they synchronized we calculated the vector strength (VS).

formula

Where, N is the total number of strikes, j is the strike number and phiis the phase. Thus defined, VS is 1 if the student plays always with the same delay with respect to the driving beat and 0 if the student plays randomly. For each episode we ranked the subjects’ VS, from most to least synchronized. Then we took the average of these rankings across the 4 episodes.

We took the approach of ranking subjects within their playing groups, as opposed to ranking them by raw VS, because individual performance seemed to be very strongly modulated by that of the group. Subjects in groups that featured several poor synchronizers tended to have more difficulty maintaining synchrony. Thus, ranking subjects across groups based solely on VS would not have yielded accurate results.

2. Psychometric Tasks
Below, we present the results of the Ericksen Flanker Task. Subjects are asked to press a key with their left or right index finger when an arrow (target) appearing in the middle of the screen points in the corresponding direction. 100 ms before the target, two flanking arrows appear that point either in the same (congruent condition) or opposite (incongruent condition) direction as the target, the subject is instructed to ignore these flanking arrows.

The data we show corresponds to the accuracy in the congruent condition. Because we took data from subjects with a wide age range, we scored the results according to their grade, with a value of 1 corresponding to the most accurate subject.

3. Swan Questionnaire
The Swan Questionnaire is often used in order to assess attentional issues in children. In this study, we asked the “home room” teachers to fill out a Swan Questionnaire for each subject. Below, we present the results from the Swan questionnaire filled out by the teachers. Subjects were ranked within each grade. In this way, rankings were normalized for differences in general biases or assessments each teacher might present in their scorings.


Video Recordings
All sessions were videotaped for further analysis. Students were recorded simultaneously with 5 stationary cameras plus 1 movable hand-held camera. Data will be processed using ELAN annotation software and DataPrism, a data visualization tool developed by Adam Fouse (UCSD Cognitive Science Department) for interactive analysis of multiple time-sensitive data streams.

Conclusions:
This study demonstrates that the ability of a child to synchronize with an external source in a group setting correlates significantly with established measures of attentional performance. Whether musical activities that improve ability to synchronize can have an effect on attentional performance remains to be seen. It is the current goal of the gamelan project to explore this question.

Acknowledgments:
This work is supported by The Temporal Dynamics of Learning Center through NSF Science of Learning Center grant #SBE-0542013.

 

Good vs. Poor Synch